It's as if Landesman wants to break from the now-cliche footage Americans already associate with this tragedy, attempting to introduce fresh images in their place. Apart from Walter Cronkite's famous sign-off following JFK's funeral, there's little sense of how anyone outside this microcosm of characters reacted to events, the exception being Jack Ruby, whose shooting of Oswald also conforms to the movie's curious style of rendering key events as obliquely as possible. Named after the Dallas hospital where Kennedy was treated, "Parkland" spans four days in a very tight bubble. Instead of spreading the attention so thin among so many characters, Landesman might have found more success focusing on how this one patriot grapples with the ultimate act of treason in the family. He should be buried at Arlington Cemetery with President Kennedy"), Robert grapples with the reality of what his brother has done. While Marguerite negotiates for magazine interviews and makes demands of the authorities ("He was an agent for the United States government. Behind horn-rimmed glasses and a biting Southern accent, Weaver delivers a camp performance totally out of synch with the rest of the ensemble. The only characters that rise above waxy re-creation in the whole affair are the Oswalds: Dale and Jacki Weaver, who plays Lee's venom-spewing mother, Marguerite - a real piece of work.
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Hosty, who failed to investigate Oswald Jackie Earle Haley has nothing to work with as the priest who delivers Kennedy's last rites.
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Granted, Landesman feels an obligation to history, but there's something ponderously obvious about the way so many of these scenes are played: Paul Giamatti is sweaty and panting breathlessly as Zapruder Ron Livingston looks shell-shocked and blank as FBI agent James P. "This was not supposed to happen," offers Secret Service agent Forrest Sorrels (Billy Bob Thornton), the sort of banal dialogue that begs the question of whether anyone could muster a less dramatic retelling of events. (Fun fact: For the sake of dignity, supervising physician Charles James Carrico evidently ordered that they leave Kennedy's boxer shorts on while trying to resuscitate him.) Instead, we get a bizarre mix of Oscar winners and softball actors, as jittery handheld cameras find Marcia Gay Harden working alongside "High School Musical" heartthrob Zac Efron in the ER where doctors tried to save the president's life. Kennedy," a solid piece of reportage by the author (and prosecuting attorney) behind "Helter Skelter," "Parkland" would have been considerably easier to stomach in documentary form. But mostly, it feels like witnessing someone play a cruel jack-in-the-box trick on dozens of innocent bystanders, watching the belief in humanity fade from one face after another, as when Jackie (Kat Steffens) learns that her husband is dead, or Oswald's brother Robert (James Badge Dale) hears the news on the radio.īased on the first 700 or so pages of Vincent Bugliosi's "Reclaiming History: The Assassination of President John F. Woven together, their seemingly disparate perspectives make one of the most thrilling and powerful stories never told.Offers a reverse-shot on history, depicting the little people pulled into the maelstrom of confusion that surrounded Kennedy's killing.
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Thrust into a scenario of unprecedented drama with unimaginable consequences, these key characters respond with shock, outrage, determination and courage. In almost real time, we follow the young doctors and nurses at Parkland Hospital, the chief of the Dallas Secret Service, the unwitting cameraman who captured what has become the most watched and examined film in history, the FBI Agents who had gunman Lee Harvey Oswald within their grasp and Vice President Lyndon Johnson who had to take control of a country in a moment’s notice.
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Right after the shooting, a handful of individuals were forced to make split-second decisions after this incomprehensible event. Kennedy was assassinated in Dallas, Texas. Novemwas a day that changed the world foreverwhen American President John F.